White Road Endorsements

"A gripping, page-turning eco-thriller" . . . "An intelligent, urgent, white-knuckle ride" . . . "A thrilling ride through wild seas and melting ice" . . . "A page-turning disaster drama" . . . "A splendid edge-of-the-seat thriller for our times"

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Liz Jensen, Hollywood-adapted bestselling author of The Nine Lives of Louis Drax & The Rapture (https://www.lizjensen.com)

"An intelligent, urgent, white-knuckle ride through the brutal Canadian Arctic, this is a novel that will get you thinking, keep you guessing - and leave you reeling. Whitehead's vivid depiction of the hazards of ruthless extractivism couldn't be more timely - and if there's a Nerves of Steel Award, its heroine, Carrie Essler, would win it hands down." 

Mark Cocker, naturalist and author of One Midsummer's Day: Swifts and the Story of Life on Earth (www.markcocker.com)

"A page-turning disaster drama, White Road is also a moral re-examination of the climate crisis and our species' relentless need for more hydrocarbons. The author attends to the hour-by-hour twists in his plot, yet spliced to a forensic exploration of the human heart. He gives us a love letter to the extraordinary ice world of the Arctic: both its fragile beauty and its remorseless terrors. Before everything, the book strikes me as a singular, beautifully integrated achievement." 

Bill McGuire, Professor Emeritus of Geophysical & Climate Hazards at UCL, and author of Hothouse Earth: an Inhabitant's Guide

"A splendid edge-of-the-seat thriller for our times. As the poles melt, the fossil fuel predators move in, but life and work in the High Arctic are harsh and dangerous, and survival on the ice is a lottery. A super story in its own right, but a story with a message for the oil and gas industry. And that message is stop – stop now."

Award-Winning Author Georgina Key, Shiny Bits In Between and Syllables of the Briny World

"An eco-thriller with a heart, Whitehead’s writing combines a page-turning thriller with the sensitivity and lyrical prose of a literary gem."

Kevan Manwaring, author of Writing Eco-Fiction and editor of Heavy Weather (https://thebardicacademic.wordpress.com)

"‘What are we capable of?’ and ‘How far are we willing to go?’ are two of the central questions White Road posits. A gripping, page-turning eco-thriller with not an ounce of seal blubber upon it, the novel is part oil rig drama and part survival story. It is thoroughly researched – both the world of the oil industry, and the Arctic are convincingly rendered. Rescue swimmer Carrie Essler is a formidable female protagonist, whose mettle is relentlessly tested, and true grit revealed – proving her to be more of a ‘hard ass’ than the rest of the men around her. Whitehead creates a believable supporting cast offering a spectrum of the stakeholders involved – oil rig workers; corporate executives; Coast Guard; Royal Canadian Mounted Police; indigenous population; eco-protesters, and impacted communities. All of these perspectives are portrayed fairly with no one being demonised. Refreshingly for an ecofiction where the Manichaean conflict is often between the big bad corporations and the ecowarriors, here the ‘eco-terrorists’ are the ostensible antagonists as the instigators of the major environmental disaster, although ultimately the blame is collective. This is an interesting gambit. By choosing to focus on non ‘eco’ characters Whitehead is more likely to win over mainstream readers, than by just preaching to the converted, with his antithetical strategy. Symbolic of this thawing resistance, Jim Ross, the very culpable director of the company behind the dodgy oil ship with lapsed safety records ultimately has a change of heart – accepting responsibility – and that is the big shift. The title has a polysemous quality – on one level, alludes to the Arctic setting, and to death, but ultimately hinting at the burden of guilt directed at predominantly white techno-capitalists/oil industry captains/complicit western governments, etc. The novel is sensitive to the indigenous perspective and careful to represent it realistically – one of Whitehead’s strengths, as seen in his previous novel, The Cannibal Spirit. Whitehead background in anthropology is also seen in the supernatural elements, introduced in the final sections – Carrie communicates with the deceased spirit of the ‘eco-blogger’ Bastien (whose yacht she goes to investigate), whose spirit form seems to be embodied in a polar bear that haunts her tracks. There is an aspect of the Brocken spectre in this – although here it is not a mere meteorological phenomenon, but (possibly) the projection of a singular human consciousness in extremis; but also allusions to various spiritual traditions, not least that of the ‘Inuit’ (also an intertextual one, not only in the epigraph from TS Eliot’s The Wasteland, but also in the ‘Other’ that dogs Eliot’s contemporary, Edward Thomas’ tracks in his cycle ride, In Pursuit of Spring). Whitehead portrays this Ecogothic element as simply a ‘natural’ part of the Arctic – an intensely eerie biome with an allure both enchanting and deadly as writers such as Barry Lopez and Peter Davidson have found. The bleakness is leavened by the gallows’ humour provided by the mansplaining ghost of Bastien, who provides an irritating, if informed, running commentary for the beleaguered Carrie, drawing upon the lore of the North as recorded by explorers such as Nansen. Overall, White Road is a thrilling ride through wild seas and melting ice that makes you glad to be reading it somewhere cosy. It bodes well for future novels from Whitehead who may become known for white-knuckle action, well-realised characters, and a sharp-eyed take on the state of the world."